EMPORIUM release new single 'Gloomy Shadows' - November 6th 2015

Emporium have an eclectic collection of recordings and releases behind their back. Their music is kaleidoscopic and diverse, as they keep finding new ways to express themselves through a broad sonic palette.

Originally formed in Edinburgh but now London based, composer and producer Ewan McKenzie is finalizing a new Emporium mini album and working towards some live dates with a full band.

New single Gloomy Shadows is a very engaging track. On one hand, the title might suggest a dark and mellow mood, whereas the song is actually pretty cheerful and uplifting.

The melodies and tempo have a very 60s feel, with a slightly psychedelic pop twist. This song makes me think of The Beatles jamming with Tangerine Dream.

Emporium have once again managed to come up with a catchy track that still has depth in terms of arrangement and composition. (Peter Vidani)

'Gloomy Shadows' is released 6^th November 2015 on Whimsical Records

https://www.facebook.com/mckenzieemporium

http://whimsicalrecords.yolasite.com/emporium.php (Full profile)

THE OK SOCIAL CLUB - New Single 'Threads'

It’s been 12 months since The OK Social Club released their debut album 'Nothing In Common'. The album yielded 3 singles - 'The Shape Of Things To Come', 'The Late 90’s' and 'Gezellig', with their music appearing on various TV and Radio shows including Soccer AM, Sunday Brunch, Hollyoaks, BBC Radio One Introducing and ‘Single of the month’ on BBC’s The Janice Forsyth Show. The band also won Steve Lamacq’s Rebel Playlist feature.

They spent most of 2013 playing around the UK and Europe including appearances at Edinburgh’s Hogmanay, and The Wickerman festival in Scotland. They also won Best Live Act at the Scottish AIternative Music Awards. They are now back in the studio recording their follow up to be released later this year.

The first single to be released from their second album is 'Threads' accompanied by b-side 'Made In The Shade'.

The band felt that 'Threads' was received well while on tour and decided it would be a great introduction to the new album. Frontman Raff Eragona said “Of all the new songs, ‘Threads’ is the closest thing to anything from ‘Nothing In Common’ but has hints of what to expect from our next record. We’re all very excited to release new music.”

The OK Social Club: Raff Eragona - Vocals, Guitars Chris Finn - Guitars, Backing Vocals Gordy Burn - Bass Jordan Harvey - Drums

The new single ‘Threads’ is released on Platform Records - available at all download stores from March 17th 2014.

CHOCKSY signs with Platform

London based Chocksy (Real name David James) is an eclectic artist who has set out to deliver his own take on electronic music.

Blending elements as diverse as techno, new wave and indie pop, it’s all about vintage-sounding drum machines, lush synth pads and colourful melodies, with influences from the 1980's including bands like Soft Cell, Shannon and Pet Shop Boys, as well as Italian Disco and Acid House music. '' I love retro stuff, even down to the old fashioned 'one armed bandits' you find at funfairs and old seaside towns '' he says.

Brand new single YOUR TOWN is a powerful track with a cool staggered 808 style groove. The bass synth lines and the vocals interact with each other brilliantly, creating really cool patterns and harmonies.

In addition to the new single, Chocksy is aiming to complete an albums worth of songs this year. '' I will continue to write from what I experience in this crazy twisted city of London. I would love to have a club anthem playing in my favourite venue!'' he says.

Chocksy's debut single 'Your Town' is released on Platform Records - available at all download stores from April 28th 2014.

https://twitter.com/davros888

https://soundcloud.com/platform-whimsical/chocksy-your-town

THE URCHINS sign with Platform Records.

Formed in 2012, THE URCHINS are an eclectic indie rock band from the outskirts of Glasgow, consisting of two sets of brothers and a close friend. All members are born from a shared vision of creativity and a burning ambition to be the biggest band In the world.

The band's gritty rock and roll tunes along with some indie acoustics give a foundation for a mesmerizing sound which almost takes you on a journey back to the 60's. Haunting and open synth melodies create intricate patterns with electric guitars and a steady, funk-inspired rhythm section.

The Urchins refuse to get stuck in a box, preferring instead to experiment with their music and push their sound to new directions. You can expect anything from a jangly 60's pop hook to something more experimental and 'out-there'. Although they manage to create songs with different concepts and ideas, there is always a blueprint, a 'stamp' imprinting the band’s personality over the song.

From the O2 to The Barrowlands, they have covered most of the city's top venues for up and coming acts. With a catalogue of songs which have blossomed over the years, The Urchins undoubtedly consider songwriting their main drive behind the push they're making into the guitar music scene.

Debut single 'I Feel A Fall Coming' is released on Platform Records - available at all download stores from April 7th 2014.

https://www.facebook.com/theurchinsglasgow

https://twitter.com/TheUrchins2012

The Urchins:
Steven O'Neill – Vocals
Simon Regan - Rhythm Guitar, Backing Vocals
Chrissy O'Neill - Lead Guitar
Martyn Regan - Drums
Jonny Carroll - Bass Guitar

STOP PRESS sign to Platform Songs

STOP PRESS! sign to Platform Songs.

STOP PRESS! are a soulful ska/indie 4 piece from London and South East England.

Recently signed to Platform Songs, the band draw influence from technical indie and authentic 1st wave ska/reggae movements to create an inventive blend of contemporary summer vibes. Devoted to their inspirations, the band aim to enlighten minds and lighten moods with the music they have to offer.

With a fondness for staggered patterns and upbeat rhythms, new single 'Somewhere Far' makes you think of a scenario involving early Red Hot Chili Peppers or Arctic Monkeys borrowing some gear from a classic ska band (think The Specials) and starting a spontaneous, but articulated jam session; moving from upbeat indie rock vibes to groovy and lush dub breakdowns; topped by bright and compelling female vocals.

'Somewhere Far' depicts a solid and cohesive band, dedicated to an eclectic and forward-thinking sound, refusing to get stuck in a box!

'Somewhere Far' is available from all download stores. Impact date is March 10th 2014.

https://www.facebook.com/stoppressmusic

Natasha England's 1982 version of 'Iko Iko' has been licensed to the soundtrack of 'UN BOSS IN SALOTTO', a new comedy feature film produced by Cattleya in collaboration with Warner Bros. Entertainment Italy - released on January 1st 2014. Distributed by Warner Bros. Pictures Italy

See the Official Trailer here:

Natasha England's 'Iko Iko' licensed to Sony Music UK compilation 'Candy Candy'

Natasha England's take on much-covered New Orleans song 'Iko Iko' is the most successful charting version in the UK, reaching number 10 in the summer of 1982.The track also reached number 5 in New Zealand and number 7 in Ireland.

The master tape was mislaid for decades and the recording has only in recent years been made available digitally, firstly via Platform Records.

Sony Music Germany recently licensed the track from us to their 80's compilation 'Musikladen', and now Sony Music UK have included it on 3-CD hits collection 'Candy Candy', released September 9th 2013: http://www.amazon.co.uk/Candy-Various/dp/tracks/B00DTWUK74/ref=dp_tracks_all_3#disc_3

With Tony Blackburn recently airplaying the track on his BBC 'Pick Of The Pops' show on June 29th, the track is once again receiving the attention it deserves!

Lloyd James Fay releases debut solo album on Platform Records

Having already caught the critics’ ear (Radio 1, Channel 4) as frontman of acclaimed Scottish alternative rock quartet Thula Borah, Lloyd James Fay embarks on his first foray into solo territory with the highly anticipated release of his beguiling debut LP, The Black River Chronicles.

An introspective reflection of his formative years, childhood stories and forlorn first loves in suburban Lanarkshire’s creaking post-steel-industry suburbs, the album sees the Glaswegian suburbanite rocker turn pastoral singer-songwriter and embrace the subtler ambient and acoustic textures that pepper his band’s catalogue.

Recorded in 2012 at the famous Gargleblast Studios in Hamilton with renowned engineer and producer Andy Miller, who’s production credits include albums by such Scottish luminaries as Mogwai, Arab Strap, De Rosa and Martin John Henry, 'The Black River Chronicles' is truly a testament to Fay’s prowess as one of the UK’s most gifted troubadours.

A reference to the American Midwestern location of Michael Lesley’s non-fiction book Wisconsin Death Trip, which uses photographs and newspaper cuttings to highlight the harshness of life in Black River Falls during the late nineteenth century and the effects it had on the psychology of the inhabitants, the album combines the autobiographical, heart-on-his-sleeve lyrical style of Mark Kozelek (Red House Painters) with James Taylor’s calm and understated croon and minor key melodies.

As you’d imagine, with such pedigree to draw inspiration from it’s difficult not to fall instantly for 'The Black River Chronicles', especially when the compositions are as pretty as lead single From The Eyewall. A classic love song that reflects on Fay’s first love and all the drama that went with it, a cascade of delicately plucked and arpeggiated chords combine with ambient brushes of distortion to provide a lulling backdrop to Fay’s atmospheric vocals and Miller’s sweet backing harmonies, making for a tender and evocative ballad.

Elsewhere, standout tracks like the wistful 'Such Are Memories' demonstrate Fay’s dexterity and musicianship as a fuller sound – replete with bass, drums, added percussion (all played by Fay) and unexpected blasts of distortion – imbues this melancholic yet uplifting and hopeful tune. According to Fay, the song “is really about how memories, even happy ones, stick with you and can wear away at you, haunting you over the years.”

Just as poignant, the beautiful 'Joy Thief' is a sinister ode to obsessive love with intensely personal lyrics like “Break my heart/I know you want to/In the dark/My ghost will haunt you” granting the listener with an alarmingly intimate portrait of an author who’s bravely chosen to render his soul bare.

Album 'The Black River Chronicles' and lead single 'From The Eyewall' are released on Platform Records. Impact date is June 10th .

https://soundcloud.com/lloydjamesfay http://www.facebook.com/LloydJamesFay

The Music Elevator PR: mail@themusicelevator.com +44 (0) 7941 815 059

DEAD SEA SOULS release AA single 'Brave' / 'The Comet' on Platform Records

Not a band to rest on their laurels, the relentless Dead Sea Souls follow up the well-deserved success of last year’s debut LP, We Were Always Electric, with blistering standalone double A-Side single Brave / The Comet.

Released via Platform Records, Brave / The Comet sees Gary Burns (bass & vocals), James Sweeney (guitar), David Clark (drums) and Colin Sneddon (guitar & vocals) build on their upbeat, bouncy and disco-funk indebted power pop sound, resulting in undoubtedly their strongest work yet.

“I know bands do this a lot and it sometimes gets met with sighs, but to be totally honest we couldn’t agree on the lead track!” says Gary of the West Lothian quartet’s inspired decision to release a double A-Side. “Originally The Comet was the undisputed single, however, during production, Brave became such a strong track for completely different reasons.

“We now have two tracks that are completely different,” adds Gary, “which is awesome as we wanted to see where we could take this new batch of songs and do something you maybe wouldn’t expect from Dead Sea Souls.”

Indeed, such is the undeniable star quality of both songs that choosing between the two would only do an injustice to the listening public. A melodic, feel-good summer tune designed to get festival crowds dancing, The Comet kicks into force with a lilting guitar hook and irresistibly breezy vibe that nods toward both Vampire Weekend and Paul Simon’s Graceland. Meanwhile, Brave provides further depth and substance with its spine-tingling atmospherics, anthemic chord progression, slick guitar solo and Futureheads-esque call-and-response mass chanting.

Gary Burns’ unmistakeable and idiosyncratic Scottish-inflected vocals soar majestically across both tracks while his song writing reaches new levels of astuteness with Brave’s uplifting lyrics (Be as bold as you can/There’s no room for a worried man/In this life that you lead) and The Comet’s cautionary tale of a loved one’s unbridled hedonism (You live your life like a comet/Just waiting to crash/Punching holes through my head/Like the crust of the earth).

A play on the Dead Sea Scrolls - a collection of ancient Middle Eastern religious texts – Dead Sea Souls are rightfully garnering a lot of attention. With ringing endorsements from the likes of The Sunshine Underground’s Craig Wellington (“Well crafted tunes”) and Scottish new music guru Jim Gellatly (“An amazing live act, they totally blew me away”), not to mention high-profile support slots with Ocean Colour Scene and The View, and an ever-growing US fan base, Dead Sea Souls are very much a band in the ascendancy.

AA Single:Brave / The Comet is released on Platform Records - impact date May 20th

http://deadseasouls.com
http://facebook.com/deadseasouls
http://twitter.com/deadseasouls Music Elevator PR: 07941815059
mail@themusicelevator.com
http://www.platformrecords.co.uk

The Ok Social Club - Daily Record album review.

Kung Fu Academy sign to Whimsical for 6 track EP release 'Super 8 Flashback'

February 26th 2013:
The first new signing to Whimsical Records for several years are Edinburgh 4 piece Kung Fu Academy.
The band will release new single 'Super 8 Flashback', which features as part of a 6 track EP, out on April 15th.

  

Press Release:

Following the release of a successful debut recording and two years of rigorous touring around Scotland’s best venues, one of the UK’s most vital, cohesive and enthralling young bands, Edinburgh’s Kung Fu Academy, returns to the fore with the dazzling Super 8 Flashback EP.

A natural continuation from their commercially and critically acclaimed Dirty Honey EP, the rousing six-track record, released via Whimsical Records, sees the spritely quartet of Bobby Osborne (vocals/guitar), Laurence Murray (guitar), Duncan Robertson (bass) and Fraser De Banzie (drums) combine infectious funk rhythms with lush harmonies, captivating pop hooks and rollicking classic rock riffs, over the course of 24 riveting minutes. Produced and engineered by the band, and mixed and mastered by Fentek Audio’s Alex Fenton at Swanfield Studios, Super 8 Flashback boasts a clean, crisp and full-bodied vintage sound that rekindles a now-bygone golden era of DIY guitar-music.

The funky, dancefloor-friendly title track (also the lead single) goes a long way toward reviving such nostalgia, albeit with a fresh and contemporary edge, thanks to De Banzie’s solid percussion and Robertson’s reflexive, rolling basslines underpinning Murray’s retro-filtered guitar licks and Osborne’s impassioned lyrical refrain (“My flashback’s in super-8/Every frame has a picture of you”). Destined to soundtrack countless indie club nights across the country, Super 8 Flashback is a bona fide smash-hit in the waiting.

Blitzing into view at a furious pace, the unrelenting The Long Fall possesses all the hallmarks of a future chart topper; duelling guitar riffs, indefatigable ticker-tape drumming, catchy call-and-response lyrics and an irresistibly tight and boppy punk-rock structure. Other highlights include the rocking Junction and melodic Warpaint, which act as calling cards for Osborne's virtuoso guitar work (think Page, Clapton, Hendrix), while Sally manages to reconcile the disparate elements of funk, disco and soul before climaxing in a thrilling crescendo.

For those encountering the band for the first time, the seeds of Kung Fu Academy were sown while all four members studied music at Napier University. Initially thrust together by their teacher in a kismet act of serendipity for a random, one-off performance, Osborne, Murray, Robertson and De Banzie decided to act upon their undeniable chemistry and pursue their dreams of rock and roll stardom outside the realm of higher education. Their unique and memorable moniker is inspired by an in-joke around the time the boys parted ways with their original frontman, claiming they were attending kung-fu lessons while secretly rehearsing.

Proudly admitting to having played more gigs than rehearsals, Kung Fu Academy has rightly established a reputation as a formidable live act. And with tracks as strong as those on Super 8 Flashback, these Edinburgh upstarts look set to go from strength to strength in 2013.

Super 8 Flashback is released on Whimsical Records – April 15th 2013.

http://www.facebook.com/kungfuacademyoffical

http://www.whimsicalrecords.co.uk

Music Elevator PR +44(0)7941 815 059 mail@themusicelevator.com

The OK Social Club to release debut album 'Nothing in Common' on February 4th 2013.

http://www.theoksocialclub.com

The OK Social Club release their highly anticipated debut album 'Nothing in Common' on 4th February via Platform Records. The release comes after a successful year which included the release of their first three singles 'The Shape Of Things To Come', 'The Late 90’s' and 'Gezellig'. They concluded 2012  with a slot at Edinburgh's Hogmanay Street party on New Year's Eve alongside Simple Minds and The Maccabees.

The band have been featured on Soccer AM, Radio One, XFM, MTV ROCKS, Channel 4’s Sunday Brunch, E4 and Hollyoaks. 'The Shape Of Things To Come' was BBC Radio Scotland’s Janice Forsyth show ‘Single Of The Month‘ and Steve Lamacq’s Rebel Playlist Winner on BBC 6 Music, it was also playlisted in TOPSHOP stores worldwide.

Following the album's release, The OK Social Club will return to the road for a full scale UK tour and embark on their first European dates.

Frontman Raff Eragona says "We had a year that we'll never forget, full of great times and surreal moments, I've got a feeling 2013 will be even better."
  
'Nothing in Common' track listing:
1. Getting Away With It
2. Little Broken Bones
3. C'mon!
4. The Shape Of Things to Come
5. Gezellig
6. Diffidence Dance
7. The Late 90's
8. She Said, You Said
9. Twisted Young Gentlemen
10. Everybody's At it

The Ok Social Club play Edinburgh's Hogmanay / New Single 'Gezellig'

                     

The Ok Social Club are undoubtedly one of Scotland's brightest young bands. Formed in the summer of 2011, the 4-piece draw from a diverse range of influences from 50's girl groups to 70's punk, exhibiting guitar driven foot stomping rhythms and unforgettable hooks.

2012 has seen the release of the band’s first two singles The Shape Of Things To Come and The Late 90’s which have won them praise and exposure via the likes of Soccer AM, BBC Radio Scotland’s Janice Forsyth show ‘Single Of The Month‘, MTV, Channel 4’s Sunday Brunch, Hollyoaks, Steve Lamacq’s Rebel Playlist Winner on BBC 6 Music, and playlisting in Topshop stores worldwide including 10 weeks in the New York store.

The Daily Record said of their debut single “If they can stay this good they are Scotland’s next big band.”

Their first Scottish tour has included sold out shows in Edinburgh and Glasgow and has helped The OK Social Club build a following all over the country.

2013 is gearing up to be an exciting year for the band, with the release of their debut album Nothing In Common along with a full-scale UK tour.

Preceding that, as a further taster for the album a new single 'Gezellig' is released on December 17th, and to round off a highly successful 12 months, the band are to perform at Edinburgh's legendary Hogmanay celebrations. Front-man Raff Eragona says "We're excited to be part of the biggest New Years Eve party in the world, we're very proud to be representing new Scottish music and if everyone's as up for it as we are, it's going to be some night!". 

New single 'Gezellig' is released December 17th on Platform Records in association with James Watt College label Clydebuilt Records.

http://musicelevatorpr.amazingtunes.com/tunes/155009

The Ok Social Club play Edinburgh's Hogmanay on The Waverley Stage from 8pm. Other acts include The Maccabees.

(The Music Elevator)

http://www.edinburghshogmanay.com

http://www.facebook.com/theoksocialclubofficial 

http://www.platformrecords.co.uk  

The Ok Social Club to play Edinburgh's Hogmanay 2012/13

                     

The Ok Social Club are undoubtedly one of Scotland's brightest young bands. Formed in the summer of 2011, the 4-piece draw from a diverse range of influences from 50's girl groups to 70's punk, exhibiting guitar driven foot stomping rhythms and unforgettable hooks.

2012 has seen the release of the band’s first two singles The Shape Of Things To Come and The Late 90’s which have won them praise and exposure via the likes of Soccer AM, BBC Radio Scotland’s Janice Forsyth show ‘Single Of The Month‘, MTV, Channel 4’s Sunday Brunch, Hollyoaks, Steve Lamacq’s Rebel Playlist Winner on BBC 6 Music, and playlisting in Topshop stores worldwide including 10 weeks in the New York store.

The Daily Record said of their debut single “If they can stay this good they are Scotland’s next big band.”

Their first Scottish tour has included sold out shows in Edinburgh and Glasgow and has helped The OK Social Club build a following all over the country.

2013 is gearing up to be an exciting year for the band, with the release of their debut album Nothing In Common along with a full-scale UK tour.

But just before that, and to round off a highly successful 12 months, the band are to perform at Edinburgh's legendary Hogmanay celebrations. Front-man Raff Eragona says "We're excited to be part of the biggest New Years Eve party in the world, we're very proud to be representing new Scottish music and if everyone's as up for it as we are, it's going to be some night!". 

The Ok Social Club play The Waverley Stage from 8pm. Other acts include The Maccabees.

(The Music Elevator)

http://www.edinburghshogmanay.com

http://www.facebook.com/theoksocialclubofficial 

http://www.platformrecords.co.uk  

DEAD SEA SOULS - Reviews of album 'WE WERE ALWAYS ELECTRIC' incl new single 'TRENDSETTER'.

(DAILY RECORD)
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Managing to pack the strength of their live shows on to the frailty of a compact disk, Dead Sea Souls debut sounds like a grenade going off beside your head. We Were Always Electric jumps, jives and is forever changing – creating a collection of songs that not only excite but keep you perpetually off balance for its dizzying 40 minutes.

After a waltzing intro jam the album opens up into the behemoth that is ‘Trendsetter’. Deceptively anthemic, lead singer Gary Burns’ vocals come dripping in equal measures of passion and venom. A return volley against another band’s criticism of the West Lothian four-piece, the stinging chorus of “I’m so sorry that I don’t dress the way you like/I’ll never be in NME/And I’m not worthy of your time” is a broadside against the posers and phoneys that the Scottish music scene attracts in their droves. Safe to say the Dead Sea Souls had the last word here.

The only criticism of ‘Trendsetter’ could be that it casts a long shadow; taking the sting out of the following few tracks. However things are once again heading skywards on ‘Six’. More a refined 21st century ballad than supercharged riot, its restrained riffs and pulsating drums demonstrates a level of finesse on top of the band’s palpable power.

Next track ‘Young Team’ acts as a charming foil to this slice of solemnity, sounding delightfully juvenile and showing that they are a band with a song for every occasion. Jangling vocals and funky guitars breeze their way through this short interlude before it’s back to the bread and butter of indie rock on ‘New Vibe’.

Album closer ‘Danny Bell’ kicks off like a South American carnival – all trumpets and chants – before returning to Burns’ swinging vocals. Its ska beats leave the album on a particularly high note as the band metaphorically dance off into the distance.

We Were Always Electric is an album that spans genres and should have something to keep everybody entertained. Bristling with energy and exuberance, it is a listening experience that will only be enhanced by seeing the band in the flesh.
We Were Always Electric is out now http://deadseasouls.bandcamp.com/album/we-were-always-electric

http://www.theedinburghreporter.co.uk/2012/10/album-review-dead-sea-souls-we-were-always-electric/



Dead Sea Souls (of West Lothian, Scotland) have developed quite a reputation for their powerful, anthemic live performances.These guys put everything into their live shows and their unique flavor of indie power pop disco funk is a ride you don’t want to miss.

Recently being picked up by Platform Songs Publishing, these guys are quickly gaining momentum. Listen and watch the video for their new single, Trendsetter, below (off of We Were Always Electric).

Dead Sea Souls deliver energetic, upbeat, funky tunes reminiscent of Twin Atlantic or the Red Hot Chili Peppers. Every song delivers that rush of energy you feel on Friday after a long week at work.These guys have been selling out shows across Scotland. It’s only a matter of time before they cross the borders.

via the band's bio:

Dead Sea Souls have built a huge following on all social media site’s and an ever growing mailing list, which has helped them play with an ever loyal following in all of the major venue’s throughout central Scotland. Support slots to the likes of The Sunshine Underground, The View, Ocean Colour Scene, Stornoway and many others shows that all of Scotland’s music promoters know they can turn to the Dead Sea Souls to deliver an outstanding live show.

There you have it folks. Don’t sleep on Dead Sea Souls.
Now, if you don’t mind, I will commence to rocking out at full volume!

http://www.midtnmusic.com/dead-sea-souls-want-you-to-realize-we-were-always-electric/

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West Lothian skanking. And some very knowing lyrics about the cynicism and snobbery of the music scene, especially at the unsigned end of things. One for fans of Twin Atlantic's high-energy riffery. (THE LIST)
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“We Were Always Electric” is, undeniably, a stellar album, representing a tremendous offering from the Dead Sea Souls. Especially in terms of its accessibility and the consistency with which it displays quality musicianship and meaningful lyrics. Gary Burns’ wonderfully melodious vocals and bass playing are complemented expertly by James Sweeney’s mastery of the guitar, Colin Sneddon’s great six-string performances and David Clark’s rhythmic drum beats. It is understandable then, that all of the album’s 10 tracks are excellent, and are not let down by any pointless `filler’ tracks.

Particularly emotional and heart rendering tracks include; “Trendesetter,” “Raincoat,” the stunningly haunting “Six,” where Gary Burns’ vocal exceeds all expectations, “New Vibe” and the very danceable mover, “Cagefighter.”

The Dead Sea Souls appear to have significantly stretched the indie musical boundaries with this release, managing to encapsulate an earnestness and emotiveness together with a polished production that many indie bands rarely achieve.

While the album retains the band’s raw edge, especially through hard-hitting songs such as “My Problem” and the upbeat “Punk B-Side”, it also introduces a wealth of songs based around beautiful vocal harmonies and soaring melodies. The moving “Six” illustrates this point perfectly, as it stands as the most poignantly beautiful five minutes on this album and anything else I’ve heard this entire year.

Notwithstanding their melodic edge, the band never sink into a soppy, dull rock act. Even the album’s most tender moments either maintain a degree of intensity or are balanced out by more unrefined moments, culminating into an aurally appealing contrast.

All in all, after careful consideration of the album’s 10 superb songs, I would have to say that “We Were Always Electric” is a rocking, lyrically-rich, orchestral monster of an album that is home to some of the most powerful, uplifting pop-rock vocals, guitar riffs and rhythmic hooks I have heard, to date this year.

The album attains five stars from me, just for the song “Six,” alone; added to “Cagefighter” and its fellow 8 stand-out tracks, this album is easily worthy of so much more than just the five stars allowed.

Do your record collection a favour and be the envy of your friends, by not missing this excellent album by the Dead Sea Souls. Buy it now!

http://jamsphere.com/reviews/dead-sea-souls-we-were-always-electric-a-monster-of-an-album
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Continuing the worldwide search for great music has led me to some interesting places.  The truth is that there is phenomenal music in every country if you take the time to look for it.  Today we ventured into the unheralded country of Scotland to find the next great alternative rock band.  What we found was the Dead Sea Souls.

Hailing from West Lothian in Central Scotland, Dead Sea Souls has built themselves up as the go to rock band to support the largest acts playing in the country.  They are known for their high energy performances and their crowd engaging anthems.  Their sound is hard to pin down as it has elements of alternative rock mixed with dashes of funk, indie rock, and even disco.  The band consider themselves working class heroes and try to bring that Friday night after work feeling to each of their shows.  Lead singer Gary Burns says “we are mainly a band that puts everything into our live performances and we believe we have delivered exactly that on this upcoming album, with a few extra special treats”.

Now the Dead Sea Souls are ready to introduce themselves to the world with their debut album, We Were Always Electric, on Big Rock Candy Records.  The energy transfers well to the album on songs like ‘My Problem’ and ‘Punk B-Side’.  Bouncy alt-rock songs that are sure to make a crowd move.  Dead Sea Souls are able to slow it down as well with the heartfelt ‘Six’.  Burns really shows off his vocal skills on this one.  If I had to compare them to another band I would lean towards The Hives or fellow Scots Franz Ferdinand.  The highlight track of the album has to be the lead single ‘Trendsetter’.  The song grabs the listener right away with its sing along feel.  The song is raw energy from start to finish.  It is also has some real meaning to the band as a reaction to the exclusivity of the local band circuit in Scotland.

Bottom line: We Were Always Electric by Dead Sea Souls is a great overall record that could fit in well with any alternative rock playlist.  Go check them out for yourself at:

www.deadseasouls.com

And give the record a listen at:

http://soundcloud.com/dead-sea-souls-sc/sets/we-were-always-electric/s-aS0UO

http://indiebandguru.com/dead-sea-scrolls-the-search-for-great-alt-rock-from-scotland-is-complete
----------------------------------------------------

The Scottish roots of the Dead Sea Souls are evident in their debut album We Were Always Electric: irresistible, charming and vibrant. The instant hook of their intro track is enough to get your toes tapping and ears listening, awaiting the vocals to kick in but totally content with just the instruments.

Upbeat and with a slight hint of ska in the jagged guitar riffs, single ‘Trendsetter’ is a sure-fire hit. What’s more, the energy of the track in fun. ‘You wouldn’t know one if it smacked you in the face my friend’ as just one of the brilliantly blunt but charismatically sung lyrics. The rolling ‘r’s’ of the Scottish drawling vocals are perfect, adding something different to the band.

Highlight ‘My Problem’ demonstrates this in all its glory. When you listen you can imagine exactly what the band would be like live, idea for summer festivals of gigs that brighten those winter days.

Their tracks are tunes you can dance to, at a gig or in your room – depending on your preference. With a quicker paced rhythm than the likes of Twin Atlantic, this idiosyncrasy gives the band an advantage that should see them go far. * * * * *

http://www.isthismusic.com/dead-sea-souls

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Listen to DEAD SEA SOULS - Trendsetter (Radio Edit) by Music Elevator PR at amazingtunes.com

Listen to DEAD SEA SOULS - Trendsetter (Radio Edit) by Music Elevator PR at amazingtunes.com

DEAD SEA SOULS sign to Platform Songs

A brand new signing to Platform Songs Publishing, DEAD SEA SOULS have quickly become one of the most exciting bands on the Scottish gig scene, having played across the country delivering an energetic and anthemic performance. The band are now set to release their new single ‘Trendsetter’, the second track to be lifted from their debut album ‘We Were Always Electric’, on Big Rock Candy Records.

Descending from West Lothian, you could compare their vocal sounds to that of Twin Atlantic, and it’s not hard to hear an influence from The Red Hot Chilli Peppers, with the upbeat guitar a prominent feature of the DSS sound. This mixed with their unique spin, makes for some melodious high-powered tunes.

‘Trendsetter’ is a prime example of their raw talent. The track starts with some sing along interjections, the guitar and drums in sync to make a fun and bouncy track. The song also has some real meaning behind it, focusing on the judgements made on the competitive band circuit. Lead singer and bassist Gary Burns says: “Writing ‘Trendsetter’ was a reaction to some pretty unfair criticism from another band. The unsigned circuit is an amazing place to see bands and make lasting friendships but it can also be a competitive environment! The song itself is I suppose … a protest against the exclusive nature of aspects of our music scene. The band in question came to play a hometown show of ours and passed judgement on our style and fanbase, blatant snobbery! The song came together very fast, and the groove was a natural thing for the band. The final lyric (maybe a bit aggressive on reflection) references a fellow West Lothian artist and songwriter, Ewan Butler.”

‘We Are Always Electric’ takes Dead Sea Souls up to the next level on the circuit, with their fun melodies, energy, and hooks. Gary Burns says: “The album is a real mix of material for us. Some songs have existed in one form or another for a number of years and others were written weeks before going into the studio! We really went for it on the dance front. We are all massive fans of real dance music and it’s pretty well reflected in the album overall. The general idea we were trying to put across is that we are a fun band. We like to make upbeat music but try to think about the lyrics and how the song comes across in melody and groove. The goal is to make you dance, simple as that.”

The album features a blend of upbeat dance, indie, and alternative music. The track ‘Danny Bell’ provides a mix of horns and bass, its ska punk vibes make it the perfect festival skanking track. There is no need to stop dancing to this album - even ‘Scenester’ starts as a slower track, but progresses towards a great dance beat. There really isn’t a single track on the album that you can’t sing and dance along too, as every chorus has fantastic brash melodies. Gary Burns also says of their debut long-player:

“We are immensely proud of our album, it is produced in a way which is true to how we perform. Meaning we can always back up this material when we are on stage, which is the whole point after all!!”

Dead Sea Souls have spent much of the last year perfecting their phenomenal live act, with sell out shows across Scotland. They are currently promoting the single and album with a string of dates - check website for details.

The single 'Trendsetter' is released on November 5th 2012.

(Victoria Purcell, September 2012)

http://facebook.com/deadseasouls http://twitter.com/deadseasouls http://deadseasouls.com

The Ok Social Club - new single - 'The Late 90's'

'The Late 90’s' is the second single from Edinburgh's The OK Social Club, to be released July 9th 2012 on Platform Records. This follows their successful debut 'The Shape of Things to Come', which came out in March 2012.

As well as being featured on Sky Sports’ Soccer AM and being chosen as Single of The Month on BBC Scotland’s Janice Forsyth Show, The Shape of Things to Come also won Steve Lamacq’s rebel playlist against The Futureheads and Tribes. The track was also aired on BBC 6 Music, XFM,Q Radio and in Topshop stores throughout the UK.

The Daily Record said of the debut single “If they can stay this good they are Scotland’s next big band.” The guys believe that their follow-up single will build on this success and are delighted that people are keen to hear more.

Bassist Gordy Burn says '' The Shape of Things to Come was an introduction to what the band sound like, but The Late 90's shows our punk side and gives people a taste of our live energy.”

''It’s great that people are eager to hear more from us, We want to release new stuff as much as we can, that’s why we’re putting a couple of B-sides on each of our singles” adds the bands frontman Raff Eragona. “Expectations are high and that’s a good thing, it keeps us on our toes.”

Their first Scottish tour has included sold out shows in Edinburgh and Glasgow and has helped The OK Social Club build a following all over the country. Dates are now booked across the UK to coincide with the release of The Late 90’s.

The Late 90's is released July 9th on Platform Records.

SUSAN FASSBENDER and KAY RUSSELL - 'Twilight Cafe - The Demo Collection (1981-1985)'

More than 30 years since 'Twilight Cafe' reached number 21 in the UK charts, Platform Records are delighted to be releasing 'The Demo Collection (1981-1985)', a 20 track album of previously unavailable recordings from Susan Fassbender and Kay Russell.

Available at all download stores from April 30th 2012, the collection includes the original demo version of the duo's hit single, as well as several songs which will be familiar to Fassbender/Russell fans, including several of those featured on the second and final of their CBS 7'' singles. Lots of unearthed gems are included too, and the range of styles and impressive arrangements make up a fantastic 70 minutes of music.

All tracks mastered from cassette by William at Soundworks Studios, Leeds. Additional mastering, sound processing, track compilation and pack shot design by Ewan McKenzie. Pack shot pencil drawings by Dianima.

With grateful thanks to the family of Susan Fassbender, and to Kay Russell.

+ For an exclusive interview with Kay Russell, and a review of the album, CLICK HERE. +



Susan Fassbender
Twilight Cafe (The Demo Collection 1981-1985)
Platform Records
Susan Fassbender's classic hit single 'Twilight Cafe' should have been the springboard to a successful chart career. Chock full of memorable melodic Pop Rock with superb keyboard work it bounced into the charts in February1981 and promised much for her career. Unfortunately two equally infectious follow up singles, both issued as Fassbender-Russell with her songwriting partner Kay Russell, failed to chart and a mooted album never materialised. Sadly, the Yorkshire born musician took her own life in 1991 but thanks to Kay Russell this collection of cassette tape demo's has been cleaned up and transferred to digital and remain as fresh, sparkling and easy on the ear as the day they were committed to tape ensuring that her legacy lives on. This may be on the lighter side of Rock but this does not detract from what is a fine collection of radio friendly Pop Rock.

Steve Ward Classic Rock Society Magazine Review July/August edition 2012.

The OK Social Club - 'The Shape Of Things To Come' - reviews round-up.

THE OK SOCIAL CLUB The Shape Of Things To Come ****
Edinburgh upstarts The OK Social Club may be reminiscent of the Strokes, but they manage to hang on to their Scots accent on this slice of pop brilliance.
http://www.dailyrecord.co.uk/life/reviews/music-reviews/singles-reviews/2012/03/16/other-singles-march-16-86908-23790333/
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The opening strains of ‘The Shape of Things To Come’ by Edinburgh’s OK Social Club tells you everything you need to know – they’re taking the happier, poppier elements of Scottish music, from Bis to Dananananaykroyd, and they’re updating them for the 21st century.
The debut single from the band, there’s certainly promise on show here. It’s nothing life changing – but then again, whose debut single is these days? – but it is most certainly enjoyable fare from a young band. ‘Shape of Things To Come’ brims with energy, and even shows a nice change of pace as the song moves towards its close, with a singalong coda that should get even the most jaded of gig-goers singing along.

The single is backed up by ‘Twist, Learn, Kick and Scream and ‘Twisted Young Gentlemen’. ‘Twist, Learn, Kick and Scream’ is pretty standard b-side fare, a nice song, but nothing to really take notice of. ‘Twisted Young Gentlemen’, however, is the real hidden gem of this three-track collection. An end-of-night song that bookends the single nicely – opener ‘The Shape of Things To Come’ sings: “What did I do last night/How did I end up here” whilst closer ‘Twisted Young Gentlemen’ says: “And now/All that’s left/Are photographs/And battle scars”.
All in all, ‘The Shape of Things To Come’ is a decent debut single. ‘Twist, Learn, Kick and Scream’ is the only song that doesn’t leave much of an impression, but the other two songs show that there’s certainly promise, and if this is The Shape of Things To Come from The OK Social Club, then maybe it’s worth keeping an ear to the ground.
http://www.isthismusic.com/ok-social-club (3.5 out of 5)
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The OK Social Club - ‘The Shape Of Things To Come’/double B-side, ‘Twist, Learn, Kick and Scream’ and ‘Twisted Young Gentlemen’, Single

Sunny, fresh faced, highly melodic, catchy Indie which bowls along, in well matched harmony, beautifully delicate, nimble, mellow bass, the star, supported by scrunchy, cheerfully careering guitar , energetically optimistic, sensitive drums and soulful vocal, Scottish accent appealingly apparent. Though employing familiarly engaging stock musical phrases, all three songs melodically, memorably endearing, poignant , individual touches providing unexpected pleasure, particularly the break, three quarters though 'The Shape Of Things To Come’, built around wonderfully laconic bass. Twist, Learn, Kick and Scream’ adds touch of ‘60’s Kinks style, in vocal effects and melodic construction, with hints of Bragg and Two Tone, while more contemplative ‘Twisted Young Gentlemen’ , most obviously Indie pop, infectiously anthemic.

http://www.mudkiss.com/chumkimarch12.htm
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Sunshine and lollipops, in the form of The OK Social Club, greet you on The Shape Of Things To Come and just like Hansel and Gretel – you’re going to gorge yourself on their gorgeous, upbeat tunes – a modern spin on REM by us, the dour faced Scots – with feel good indie anthems as the result.

Opener ‘The Shape Of Things To Come’ serves as an explosive, exciting introduction to your new watering hole, fast and energetic – it’s a great way to set the tone.

Next track up, the oddly titled ‘Twist, Learn, Kick And Scream’ drops the tempo, but not the optimism – the indie instrumentation showing a sharper edge, with darker, more abstract lyrics as a result.

Closer ‘Twisted Young Gentlemen’ is an effective encore; simple lines, big choruses and straight grooves allow everybody to participate.

It’s nice to see a band taking a smiling sideways glance at things in what’s becoming an increasingly dark world.

Words: Matthew Slater
http://ravechild.co.uk/2012/03/02/record-review-the-ok-social-club-the-shape-of-things-to-come-platform-records/
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THE OK SOCIAL CLUB "THE SHAPE OF THINGS TO COME"
(PLATFORM RECORDS)
RELEASED? 2nd April.
SOUNDS LIKE? Interesting,
no sooner has Scotland got
its own and superior version
of Billy Joel in Michael
Maclennan than they go and
produce the very noises that
ye olde Arctic Monkeys
were supposed to be making
all along. The Ok Social
Club perform this neat trick by molecule mining the shafts pre-drilled by Ballboy and whacking in all those clanky basslines that Clor were supposed to save EMI with. That's the short and simple answer to the 'sounds like?' question and it's the only answer that you need because Ballboy are and Clor were damn good and The Ok Social Club are damned good
IS IT ANY GOOD? Yes, it's fair to say that The Ok Social Social Club give me reason for hope.
WHERE IS IT? www.platformrecords.co.ukThat's my brick...
http://www.unpeeled.net/singles.html
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The OK Social Club have been creating a little buzz around certain circles for a while thanks to their brilliant tight live performances of catchy guitar pop with a slightly punk edge.

The band have taken their time with their debut release The Shape of Things to Come, out now on itunes and available to view on YouTube at http://www.youtube.com/watch?v=gCKSdQ1w2io

A guitar riff appears out of a flurry activity before a catchy acapella vocal takes you off on a guitar-pop trip for three-and-a-half-minutes.

There are echoes of The Cribs and the poppier moments from The Libertines.

The main hook/chorus; You want to see us fail, you love it when we go, a little too far off the rails. is used to good effect throughout the song, turning into a terrace style chant towards the end.

The band pack a lot into the 3-minutes, slowing things down, speeding things up, taking things out, adding bits in. They clearly have an ear for a hook and a melody, two things I am very fond of personally. I am a sucker for a good guitar pop song and this is a good one.

I need to give the record a rating for this website, something I hate to do as it is up to people to make their own minds up. I mean what is a 5/5 record? You Set The Scene by Love, Whats Going On? by Marvin Gaye?

This gets 3/5 for me. Energetic, full of hooks and melodies and promising a lot more. Having seen the band live on a couple of occasions I know they have loads of tunes up their sleeves.
http://www.glasgowmusic.co.uk/ReadReview-213
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Charming early summer stuff here from Edinburgh’s The Ok Social Club who seem to combine the sounds of We Were Promised Jetpacks with The Boo Radleys. 7/10
http://www.tastyfanzine.org.uk/singles121apr12.htm
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Edinburgh scamps The OK Social Club’s dynamic new single is a melodious little ditty that veers from the indie rap sheet of early days Twang and parades the energy of fellow Scots The View.
http://www.shout4music.com/features/this-week-in-singles-242012